Download PDF by Bruner Felton Barrie: A sculptor's guide to tools and materials

By Bruner Felton Barrie

Written for the scholar sculptor, this moment variation of the preferred Sculptor's advisor, now with greater than ninety photos of sculpting instruments and add-ons, is an advent to the huge global of sculpture: clay and wax modeling, mould making, casting, and the enlarging of items of sculpture, wooden carving, stone carving, ceramics, and wet clay items. Addresses all facets of the use and serve as of sculpting instruments and fabrics utilized in conventional sculpture. every one bankruptcy concludes with a troubleshooting part which solutions questions most commonly asked through the scholar and people problem areas skilled by way of the sculptor. additionally explains how instruments are made. Charts on proportional specifications of fabrics, weights and measures, plus an in depth word list of phrases are supplied. A key note procedure can be utilized to simply discover a subject matter

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This does not always happen but don’t take the chance. Use proper rubber recommended by the manufacturer of the resin. Personally, I prefer to have a professional mold maker and caster do the job. This type of casting is also used for what is sometimes called Bonded Bronze or Cold Pour Bronze. There is no such thing as cold pour bronze; resin impregnated with bronze powder is as close as one can get. Metal Casting Bronze is a metal that must be molten to be poured and thus requires high temperatures.

The finished cast can be painted or patinated in any number of ways. If the object is a flexible one, the paint must be a flexible rubber paint, not ordinary latex paint. It should be air brushed or sprayed on, not applied by brush, or it will be too thick and crack when flexed. Casting Techniques1 Most casting by amateur sculptors is done using latex molds, plaster waste molds, or plaster reproduction molds (molds used to make more than one cast). Casting materi- als include plaster, resin, and metals such as bronze, pewter, and lead.

One method of raising and lowering is by pipe, the top’s position being secured with a set pin through a hole drilled in the pipe. The top is raised and lowered with a twisting motion of the hand. A second method of raising and lowering the stand top is by a crank working through a gear system and secured when the crank has been stopped. Lastly, there are hydraulic stands, such as are used in mechanics shops, with a flat metal top and a foot pedal to raise and lower the working surface. The most common studio, or classroom modeling stands are made of wood or metal having three or four legs.

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