Read e-book online Animation.From cartoons to the user interface PDF

By Bay-Wei Chang

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2. 5, and video often had to be encoded differently for playback on Mac and Windows computers! It was a pleasure to delete most of that material for this edition. 2 relationship between input power and displayed brightness as does the human eye. This meant that the actual electrical signal was itself perceptually uniform! And thus it was really easy to convert from light to signal and back to light without having to worry. In the LCD/Plasma/DLP era, the underlying displays have very different behavior, but they all emulate the old CRT levels for backwards compatibility.

So, let’s examine all the major color spaces in normal use one by one and see how they apply to real-world digital image processing. RGB RGB (Red, Green, Blue) is the native color space of the eye, each being specific to one of the three types of cones. RGB is an additive color space, meaning that white is obtained by mixing the maximum value of each color together, gray is obtained by having equal values of each color, and black by having none of any color. Uncompressed Video and Audio: Sampling and Quantization 23 All video display devices are fundamentally RGB devices.

In contrast to additive color spaces like RGB, CMYK is subtractive; white is obtained by removing all colors (which leaves white paper). There are some expanded versions of CMYK that add additional inks to further improve the quality of reproduction, like CcMmYK, CMYKOG, and the awesomely ominous sounding (if rarely seen) CcMmYyKkBORG. Uncompressed Video and Audio: Sampling and Quantization 27 Color spaces for printing is a deep and fascinating topic that merits its own book. Fortunately, this is not that book.

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