By KOLAREVIC BRANKO, Visit Amazon's Branko Kolarevic Page, search results, Learn about Author Central, Branko Kolarevic,
Structure within the electronic Age addresses modern architectural perform during which electronic applied sciences are greatly altering how constructions are conceived, designed and produced. It discusses the digitally-driven alterations, their origins, and their results via grounding them in genuine practices already occurring, whereas at the same time speculating approximately their wider implications for the long run. The publication deals a various set of principles as to what's suitable this day and what is going to be correct the following day for rising architectural practices of the electronic age.
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Additional info for Architecture in the Digital Age: Design and Manufacturing
E. the curve radius, changes continually along their length, in sharp contrast to curves made of tangent circular arcs, which, despite their smooth appearance, have discrete points at which the curvature changes abruptly. 6): a curve with an angle or a cusp is said to have CO continuity;7 a curve without cusps but with changing curvature has C1 continuity;8 a curve with constant curvature is C2 continuous9—higher levels of continuity are possible, but for most practical purposes, these three levels are sufficient.
35), was altered somewhat after the digital structural analysis, by consulting engineers Bollinger + Grohmann from Frankfurt, revealed that its structural performance could be improved with minor adjustments in the overall form. 37). 38). 36. GLA Headquarters: (2002), London, UK, architect Foster and Partners. 37. GLA Headquarters: one of the acoustical studies (by Arup). 38. GLA Headquarters: one of the solar studies (by Arup). “blobby” form is actually a deformed sphere, which has a 25% smaller surface area than a cube of identical volume, resulting in a reduced solar heat gain and heat loss through the building’s skin.
19). ”23 According to Lynn, “while physical form can be defined in terms of static coordinates, the virtual force of the environment in which it is designed contributes to its shape,”24 thus making the forces present in the given context fundamental to the form making in architecture. 22. Wozoco’s Apartments (1997), Amsterdam-Osdorp, the Netherlands, architect MVRDV. ”25 Instrumental to this conceptual shift is the use of digital media, such as animation and special-effects software, which Lynn uses as tools for design rather than as devices for rendering, visualization and imaging.